Nsenga K. Burton, Ph.D. is an award-winning journalist, professor and content creator. Dr. Burton currently serves as Co-Director of the Film and Media Management Concentration at Emory. Nsenga's area of expertise is intersectionality (race, class, gender and sexuality) and the Hollywood film industry. In addition to working as a professor, Nsenga has worked as a journalist and cultural critic for the last two decades. She is a former editor-at-large for The Root, columnist for the Huffington Post, cultural critic for Creative Loafing and has contributed to The New York Times, USA Today, BET News, The Crisis Magazine and The Grio.

In 2012, Nsenga founded The Burton Wire, an award-winning news blog covering news of the African Diaspora. Nsenga currently hosts a twice-monthly livestream on issues impacting the Black community for Black Press USA and is a contributor to Courier Newsroom.

Never moving too far away from film, Dr. Burton worked as a behind the scenes producer on 2019's Shaft and Little and is a contributor to the short film, "Flash Here and There Like Falling Stars: Remembering the Life of Dr. Pellom McDainiels" (2020). Nsenga has written extensively on race and media, most recently serving as co-editor of the book Black Women's Health: Balancing Strength and Vulnerability. In addition to co-editing duties, Dr. Burton contributed the chapter, "Representations of Black Women's Mental Health on Being Mary Jane and How to Get Away with Murder."   She has also written about W.E.B. DuBois' theory of double consciousness and the question of race in AMC's Mad Men, South African Soap Operas as a tool for racial reconciliation and is working on a book proposal on race, gender and the reality television industry. Nsenga recently curated Emory's Spring 2020 Cinematheque African Americans in American Film and served as director of the 2020 AfroComicCon International Short Film Festival (virtual) which took place in October. 

Dr. Burton is co-chair of the Black Caucus for the Society of Cinema and Media Studies, a member of the African-American Film Critics Association, National Communication Association and Women in Film and Television Atlanta. Nsenga is the former chair of the Atlanta Youth Commission and serves as Bylaws Chair for the League of Women Voters Atlanta. She is a member of The Links, Incorporated and a life member of Alpha Kappa Alpha Sorority, Inc. 

A frequent commentator of television, radio and new media, Dr. Burton holds degrees in film and communication from Northwestern University (B.S.), New York University (M.A.), University of Pennsylvania (M.A.) and the University of Southern California (Ph.D.). 

Dr. Eve Graves is a graduate of Spelman College.  She began her professional academic career at The College of William and Mary in Williamsburg, VA., where she received several awards, published several articles, and was elected to head a national professional organization. Dr. Graves was awarded a Teaching Fellowship from the Carnegie Center for Teaching and Learning at Stanford University. At the end of her final residency at the Carnegie Foundation, Dr. Graves decided to pursue work as an intercultural pedagogue by accepting a teaching position at the prestigious Xiamen University in China. She lived and successfully taught Western Theatre History and Literature in China for four and a half years. 

Véronique Hélénon is a historian whose area of expertise is the African Diaspora with a special emphasis on its French-speaking dimensions and the Caribbean. A Fulbright alumna, she taught at various institutions including NYU, Columbia University, Florida International University and UMass-Boston.

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She has published articles and book chapters on the African Diaspora, Colonialism, and French Hip-Hop.  She is the author of French Caribbeans in Africa: Diasporic Connections and Colonial Administration, 1880-1939 (Palgrave, 2011).

BFA, Acting, Juilliard School
MFA, Directing, Brown University

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Mauricio Tafur Salgado is an Assistant Arts Professor of Theatre Studies in the Department of Drama at NYU Tisch School of the Arts.

Salgado is mestizo + first gen + born to proudly subversive Colombians + brown skinned + amateur bio-regionalist + aspiring theologian + cis-hetero + married + artist, pursuing justice and healing through a decolonial framework. He collaborates to organize space where folx rehearse revolution, compromise, rage, tolerance, strength, trust, and vulnerability. 

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Prior to joining Tisch Drama, Salgado co-founded Artists Striving to End Poverty (ASTEP). At ASTEP, he recruited, trained, and supported more than 325 teaching artists and created and implemented 23 programs for artistic youth. He is currently a founding creative producer with the Remember2019 Collective, which supports local black cultural workers in Phillips County, Ark., as they facilitate spaces for self-determination, memory, and reflection that are directly related to the Elaine Massacre. He has worked as a facilitator, actor, deviser, and director with communities in Peru, the Dominican Republic, South Africa, India, Belgium, Germany, Scotland, and across Turtle Island (the United States). He has taught at the Boston Conservatory, Brown University, Santa Clara University, La Guardia Community College, and Kingsborough Community College.

Katelyn Hale Wood is an Assistant Professor of Theatre History at the University of Virginia and the author of Cracking Up: Black Feminist Comedy in the Twentieth and Twenty-First Century United States. Their previous writing has been published in Performance Matters, Theatre Topics, QED: A Journal in GLTBQ Worldmaking, Departures in Critical Qualitative Research, and the Routledge Companion to African American Theatre and Performance.

Katelyn Hale Wood is an Assistant Professor of Theatre History at the University of Virginia and the author of Cracking Up: Black Feminist Comedy in the Twentieth and Twenty-First Century United States. Their previous writing has been published in Performance Matters, Theatre Topics, QED: A Journal in GLTBQ Worldmaking, Departures in Critical Qualitative Research, and the Routledge Companion to African American Theatre and Performance.